@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @mlbgłł鉹yӏ(yohްٓ)ցn@@ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @mlbgłłR[Xӏ܂ցn@@ @ @ @ @ @ @ @ @ @m{ÖؗjcEgoցn  @
@ @ @ @ @mȊwnFuV~Cgvցn@@ @ @ @ @ @ @ @ {Öؗjcoi[F @
@ @ @ @ @mpYnFupYĉqvցn@@ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ Updated at 2017.04.05  Contact : tenor_sasaki + @ + yahoo.co.jp @ @
@ Classical chorus MIDI in published. @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ NVbNnȂMIDIJ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
Due to low language skills, can be confirmed only by reverse translation to Japanese, please miss to a little mistakes.
{ւ̋t|ɂĂ̂݊mFłႢw͂̂߁AX̌͂B
@
@ @
@ @
@ <<<<<<<<<<<<  Purpose & idea of this website  >>>>>>>>>>>> @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @̃z[y[Ŵނ@ @
@ Chorus Singing fan of the world, is struggling in learning to check the pitch of music.
In addition to the site manager,
I additionally have face of hobbyists who has created a sound source of chorus practice.
And that hobby has required effort manyfold than the people who are in doing practice.
̉̂t@́AK̊yȂ̉`FbNɋJ܂B
TCgǗ҂ɉāA̓R[X̗Kp쐬l̊Ă܂B
Ă̎́AK̐l{w͂KvƂĂ܂B
@
@ @
@ @
@ @
@ Chorus music presented here,
can be broadly divided into three types, in the history of leading up to published.

1. Sound source of chorus music that was required conversion into MIDI format to suit the published.
These were created and used for chorus practice in the MML format, at the past.
MML : Music Makeup Language.
Chorus group as a place of practice & Enrollment period :
(Informal name in literal translation)
1-1 Coral friends for the Yamagata Symphony Orchestra & 2000.05~2004.03
1-2 Miyako Thursday meeting choir & 2006.06~2009.03 @@

2. By to use the content of other sites that offer own MIDI,
Sound source of Chorus music that led to the published.
In this case, contribution of the grace of effortless data entry was great.
MIDI providing sites :
2-1 Ogawa Yohan's Bach SMF library (English title page)

3. Other special process.
ŏЉ鍇Ȃ́AJɎ܂ł̌o܂ɂāÂRނɑʂł܂B

PDJɍ킹MIDI`ւ̕ϊKvƂȂ̉B
@@͉ߋɁAMML`ō쐬A̗K̂߂Ɏgp
@@܂B
@@@@llk F ~[WbNECNAbvEQ[Wiy쐬j
@K̏ƂĂ̍cݐЊ
@@@@@ipꖼ͒ł̔́j
@@@P|P RyFc & 2000.05~2004.03
@@@P|Q {Öؗjc & 2006.06~2009.03

QDƎMIDI񋟂鑼̃TCg̃Recgp邱Ƃɂ
@@JɂȂȂ̉B
@@̃P[Xł́Ayȃf[^͂̉bɂ^łB
@MIDI񋟃TCg
@@@Q|P ^̃obnrleCu

RD̑̓ȉߒB
@
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ { How to create a part-practice data }
To increase the volume of the specific chorus part of MIDI data, and reduce for another part.
yp[gKpf[^̍쐬@z
MIDIf[^œp[g̉ʂグAق̃p[gɂĂ
ꗥ኱܂B
@
@ @
@ @
@ { The conditions on the use }
This site had been written in Japanese only so far.
But in the wake of the start of use of several foreign site,
English and Japanese both written style, has started in some description parts.

By the way until now, distribution for chorus practice were only allowed.
But for the future, and in the same wake, handling will unifies in direction of alleviate this condition.
However, For content relating to the Site 2-1, I shall limit these to purpose only of listening.

Conditions is this.
1st, never approve at commercial use.
2nd, when you use, be sure to add the following guidance information.
<< Site name notation (this site + original MIDI site), link setting (or URL notation) >>
If continue with these condition, the other handling are nearly unconstrained.
(Because everyone is not so young forever)

Sample of conditional agreement range:
>>>> Modification of MIDI data.
>>>> Publish after modification (including conversion of voice).
(However, fake republish as linking, is prohibited by reason of the after few line.)
>>>> Re-republishing of using republished content.
(However, It's limited in the range that guidance information can attached.)

Main purpose of the site of 2-1 is to publish the MIDI files.
In order to avoid conflicts within involved in 2-1,
you can download for listen, but I forbid act of all the other.

Your linking from other sites, should be only to the main page.
And so, I refuse the link to lower page and the link to individual pieces of content (MP3, etc.).
ypɊւz
̃TCǵA܂œ{ŏĂ܂B
A̊OTCg̎gpJnɁApƓ{̕L`ꕔ̐Ŏn߂܂B

ƂŁA܂ł͍K̂߂̔zẑݔF߂Ă܂B
̂߂ƁAŁA舵͂̏ɘaɓꂵ܂B
ATCgQ|PɊ֘ARec̏ꍇAړÎ݂ɂ𐧌܂B

͂łB
ɁApp͏F܂B
ɁAgpۂ́Aȉ̂悤ȈēǉĂB
@<<TCg\LĩTCg+IWiMIDITCgjANݒi܂URL\Lj>>
̏ɏ]ȂA̎舵͂قږłB
iNivɂ͎ႭȂłj

t͈͂̃TvF
>>>> MIDIf[^̏C
>>>>iϊ܂ށjύX̌J
>>>>_E[hRecgpĂ̍ČJ
iANȂǂ̋U̍ČJ́As̗Rŋ֎~܂Bj
>>>>ČJꂽRecgpĂ̍āXJ
iAē񂪕tł͈͂ɐ܂Bj

Q|P̃TCg̎ȖړÍAMIDIt@CJ邱ƂłB
Q|PɊ֗^̋邽߁A
ړĨ_E[h͂ł܂ÂׂĂ̍sׂ͋֎~܂B

̃TCg̃ŃACy[Ŵ݂ɂKv܂B@āAʂ̃y[Wւ̃NAуRečX̕iMP3Ajւ̃N͂f肵܂B
@
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ Maximum reason there is no contemporary music:
In order to avoid the occurrence of a royalty payment obligation of copyright.
Equipment for MIDI performance:
VSC(Virtual Sound Canvas) of software synthesizer.
Tone color setting of VSC:
Conventional was SC-88. For the first time shifted to SC-88pro at version 2013.11.17.

As Roland software, the selection of the MIDI standard are OK in GS mode.
If there is a change to GM as a statement of system EX type,
it seems to be a mechanism of changing to the GM2 mode at the receiving side.
Ȃő̗RF
@쌠̎gpx`̔邽߁B
lhcht̋@ށF
@\tgEFAEVZTCÛurbiVirtual Sound Canvas)B
urb̉FݒF
@]SC-88łB@n߂2013.11.17łSC-88proɈڍsB

[h\tgEFAȂ̂ŁAMIDIKȋI͂fr[hłnjB
VXedw^w蕶ɂflւ̕ύX΁A󂯎葤łflQ[hɕςdĝ悤łB
@
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Downloadable MP3-files of Beethoven Symphony No.9   for Chorus Practice. @ @ @ @ @ @ @ Add on 2014.09.27 @ @ @
@ //x[g[xȁ@ȑXԁ@Kṕ@_E[h\MP3t@C @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ {ŔNɉSƌ΁EEE ! ! ! @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @   Link to Beethoven Symphony No.9 @ (EXCEL worksheet style) MIDI files exists since 2014-11-03. @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  J.S.Bach [Matthaus-Passion] (BWV244)    Music piece of chorus mainly. @ @ @ @ @ @ @ @ @ @ @ @ @
@ //i.r.obnu}^Cȁṽ_E[h @Ƃč @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@     Normal 4 parts has been divided further into two divisions, placed to left & right, is a song of heavy chorus configuration.  @ @ @ @ @ @
@ @@//ʏ̂Sp[gXɂQɕAƉEɔzuꂽAdȃR[XҐ̋ȂłB @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @   Link to J.S.Bach Matthaus-Passion   @ (EXCEL worksheet style) MIDI files exists. @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  J.S.Bach [Mass in B minor] (BWV232)    Music piece of chorus only. @ @ @ @ @ @ @ @ @ @ @ @ @
@ //i.r.obnu~TȃZṽ_E[h @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @   Link to J.S.Bach BWV232   @ @ @ (EXCEL worksheet style) Link to MIDI exists. @ @ @ @ @ @ @
@ @Original MIDI data site:  @ Ogawa Yohan's Bach SMF library @ @ //IWilhchf[^TCgFu^v̂go @ @ @ @
@         * * * * * *  Copying or re-distribution, etc. is strictly prohibited on this music.  * * * * * * @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @@@@//@̋ȂɊւẮA]ځEĔzz̈؂֎~Ƃ܂B@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  J.S.Bach Motet [Jesu, meine Freude] (BWV227) @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ //i.r.obnuJesuCmeine FreudeiC[YA}Cl@tCfjṽ_E[h @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @   Link to J.S.Bach BWV227   @ @ @ (EXCEL worksheet style) MIDI files exists. @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  W.A.Mozart [Mass in C minor] (K427) @ @ @ @ @ @ @ @ @ @ @ @ @ Add on 2013.11.17 @ @ @
@ //[c@gu~TȃnZi~Tȁjṽ_E[h @ @ @ @ @ @ @ @ @ @ @ Update in 2016.10.17 @ @ @
@ @ @ @   Link to Mozart K427   @ @ @ @ (EXCEL worksheet style) MIDI files exists. @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  W.A.Mozart [Missa solemnis] (K337) @ @ @ @ @ @ @ @ @ @ @ @ @ Add on 2016.07.03 @ @ @
@ //[c@gu~TE\jXiK337jv _E[h @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @   Link to Mozart K337 @ @ @ @ @ (EXCEL worksheet style) MIDI files exists. @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  W.A.Mozart [Requiem] (K626)    Music piece of chorus mainly. @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ //[c@guNBGṽ_E[h @@Ƃč @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ [From the repertoire of the concert in 2003, Mozart "Requiem" (version of Zen-on-score publishing company)] @ @ @ @ @ @ @ @
@ //mQOORNtE[c@gȁuNBG(SyoŎД)v̋ȖڃXgn @ @ @ part-practice data add on 2013.10.14 @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ //2013.10.14Ƀp[gKpf[^ǉ @ @
@ Music files Component  Title of Music Piece midi mp3 mp3.zip m: s MB   Remarks @
@ requiem01 TCU Introitus "Requiem aeternam." , Kyrie. #_# @ @ @ 5:36    6.56 @ @
@ requiem02 V-1 Dies irae. @ zip of left @ 2:33    3.00 @ @
@ @ V-2 Tuba mirum. @ @ @ @ @ @
@ requiem04 V-3 Rex tremendae. @ normal @ 2:05    2.45 @ @
@ @ V-4 Recordare. @ @ @ @ @ @
@ requiem06 V-5 Confutatis. @ @ @ 2:27    2.89 @ @
@ requiem07 V-6 Lacrimosa. @ for part @ 3:47    4.45 !!!! Be a must-listen !!!! @
@ requiem08 W-1 Domine Jesu. @ Soprano @ 4:47    5.62 @ @
@ requiem09 W-2 Hostias. @ Alto @ 5:27    6.40 @ @
@ requiem10 X Sanctus. @ Tenor @ 1:42    1.99 @ @
@ requiem11 Y Benedictus. @ Bass    4:19    5.07 Vocal quartet + chorus @
@ requiem12 ZC[ Agnus Dei. ,Communio "Lux aeterna." @ @ @ 7:29    8.78 @ @
@ Total @ @ @ @ @ 40:12 47.21 @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ * Link of the [Music files] column is mp3 of older generation by non-midi.

* In the column of [
mp3], lowercase [n] are marked at file-name.
* Toward the publish of files for part practice, I have adjusted again the sound effect of MIDI files, and re-created the mp3 files based on it.
* By the contents in the link of [midi.zip] of [
#_#] mark also,
MIDI file for part practice has been added housed in folder classification.
* In the mp3 files of each part, the adjustment to shorten the length of silence after the end of the song has been omitted.
* Music files̃N͔midiɂ鋌mp3łB

*
mp3ł́An t@Cɕt܂B
* p[gKpt@ČJɌāAmidỉʂĒAɊÂmp3č쐬܂B
* [
#_#]}[ÑNimidi.zipjełAp[gKpmidit@C̓tH_ŒǉeĂ܂B
* ep[gmp3ł́AȏI̖̒ZkȂĂ܂B
@
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download Orchestral MIDI of  W.A.Mozart "Requiem (KV626) " @ @ @ @ @ @ @ @ @ @ Add on 2017.04.05 @ @ @
@ //[cAgȁ@"NBGiKV626j" I[PXgI MIDI _E[h @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @   Link to Mozart Requiem  @ @ @ @ @ (EXCEL worksheet style) MIDI files exists. @ part-practice data already added. @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ It's New Registered 3D-MIDI Contents of "Requiem" on YouTube Site. @ @ @ @ @ @ @ @ Uploaded at 2017.03.23 @
@ Requiem #01 @ Requiem #02 @ Requiem #03 @ @ Requiem #04 @
@
 @
@
 @
@
 @
@ @
 @
@
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ Requiem #05 @ Requiem #06 @ Requiem #07 @ @ Requiem #08 @
@
 @
@
 @
@
 @
@ @
 @
@
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ Requiem #09 @ Requiem #10 @ Requiem #11 @ @ Requiem #12 @
@
 @
@
 @
@
 @
@ @
 @
@
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Download of  Handel [Messiah]    Music piece of chorus mainly @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ //wfuTCAṽ_E[h @@Ƃč @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ [From the repertoire of the concert in 2002, Handel "Messiah" (Barenreiter edition)] @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ //mQOOQNtEwfȁuTCA(ްײ)v̋ȖڃXgn @ @ @ @ @ part-practice data add on 2013.10.19 @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ //2013.10.19Ƀp[gKpf[^ǉ @ @
@ Music files kinds  Title of Music Piece midi mp3 mp3.zip m: s MB   Remarks @
@ messiah04 chorus And the glory of the Lord #_# @ @ 3:49    4.36 @ @ @ @ @ @ @
@ messiah07 chorus And He shall purify @ @ 2:48    3.20 @ @ @ @ @ @ @
@ messiah08 Air&chorus O thou that tellest good tidings to Zion @ @ 2:14    2.55 Air(Alt.solo) start at 84 bar. @
@ messiah11 chorus For unto us a Child is born @ @ 4:26    5.07 @ @ @ @ @ @ @
@ messiah14-15 Accompagnato And Suddenly there was with the angel @ @ 2:47    3.18 messiah14 (sop.solo) @
@ chorus Glory to God in the highest messiah15 @
@ messiah18 chorus His yoke is easy, His burthen is light @ @ 2:44    3.13 @ @ @ @ @ @ @
@ messiah19 chorus Behold the Lamb of God @ zip of left 1:32    1.74 In accompaniment, trill omitted. @
@ messiah21 chorus Surely, He hath borne our griefs @ normal 1:33    1.78 @ @ @ @ @ @ @
@ messiah22 chorus And with His stripes we are healed @ @ 2:18    2.64 @ @ @ @ @ @ @
@ messiah23 chorus All we like sheep, have gone astray @ for part 4:06    4.70 @ @ @ @ @ @ @
@ messiah25 chorus He trusted in God @ Soprano 3:02    3.47 @ @ @ @ @ @ @
@ messiah30 chorus Lift up your heads @ Alto 3:37    4.13 01~29bar: sop1,sop2 Separated @
@ messiah31 chorus Let all the angels of God worship Him @ Tenor 1:51    2.11 01~05bar: Recitative(Ten.solo) @
@ messiah33 chorus The Lord gave the word @ Bass 1:12    1.36 @ @ @ @ @ @ @
@ messiah35b chorus Their sound is gone out into all lands @ @ 1:43    1.96 @ @ @ @ @ @ @
@ messiah37 chorus Let us break their bonds asunder @ @ 2:15    2.57 @ @ @ @ @ @ @
@ messiah39 chorus Hallelujah @ @ 3:54    4.45 most famous//\ȁunv @
@ messiah41 chorus Since by man came death @ @ 2:04    2.36 @ @ @ @ @ @ @
@ messiah45 chorus But thanks be to God @ @ 2:52    3.27 @ @ @ @ @ @ @
@ messiah47 chorus Worthy is the Lamb that was slain @ @ 7:32    8.62 @ @ @ @ @ @ @
@ Total @ @ @ @ @ 58:19 66.65 @ @ @ @ @ @ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ * Link of the [music files] column is mp3 of older generation by non-midi.

* In the column of [
mp3], lowercase [n] are marked at file-name.
(At messiah14-15 Only, the name of the older generation is different,
and that name is [messiah15].)
* Toward the publish of files for part practice, I have adjusted again
the sound effect of MIDI files, and re-created the mp3 files based on it.
* By the contents in the link of [midi.zip] of [
#_#] mark also,
MIDI file for part practice has been added housed in folder classification.

* As simplification of each part making work, solo part is also subjected to
volume increase and decrease similar to the chorus part of the same type.
* In messiah30, soprano is divided into two parts, but that have been
accommodated with the distinction in S1 and S2 the file name.
* By this publishing work of this song, adjustment shortening for length of
silence that exists the end of the song, has been processed also to mp3
for part-practice.
* Music files̃N͔midiɂ鋌mp3łB

*
mp3ł́An t@Cɕt܂B
imessiah14-15ł̂݁A̖OقȂĂA
@̖O[messiah15]łBj
* p[gKpt@ČJɌāAMIDỈʂĒAɊÂmp3č쐬܂B
* [
#_#]}[ÑNimidi.zipjełAp[gKpmidit@C̓tH_ŒǉeĂ܂B

* ep[g쐬Ƃł̊ȗƂāA\p[gނ̃R[Xp[gƓl̉ʑ{Ă܂B
* messiah30ł̓\vm͂QɕAS1S2̃t@CŋʂĎeĂ܂B
* ̋Ȃ̌JƂł́AȂ̏Iɑ݂閳̒ZḱAp[gKpmp3ɂĂ܂B
@
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Supplementary comment about song species without chorus. (within "messiah")
//
𔺂ȂȎɂĂ̕⑫@imessiahj
@
@ Symphony         (//) 01 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Accompagnato(*) 02, 05, 09, 13a, 14, 24, 26, 28, 42
Recitative with accompaniment: (*)  //(*): t̏
@
@ Air                   (//ر) 03, 06c, 10, 16b, 20, 29, 32c, 34a, 36a, 38a, 40, 43, 46a @
@ Arioso 27, 35a @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Recitative         (//) The song by soloist without accompaniment that has been inserted for the narrative.
The eight section in total is, but the serial number of pieces of song is not assigned.
//q̂߂ɑ}ꂽtȂ̓ƏB
@   v8ӏɂ܂AȕЂ̒ʂԍ͊蓖ĂĂ܂B
@
@ Pifa                 (//c) 12 @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Duet 17c, 34b, 44
34b (of a song piece) contains a chorus in the second half, but were excluded.
//(ȕЂ)34b́A㔼ɃR[X܂܂܂AO܂B
@
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @
@ Supplementary comment about the other. (within "messiah")            //̑̕⑫@imessiahj @
@ * About designation of sound intensity, Please understand that it was not reflecting on the MIDI data.
(Designation of some reflected: The weak note designation of accompaniment; The designation of staccato on voice.)
* At practice time, not to forget the conductor's instructions, memos on the score by each person is important.
* A description of the fade-out at the ending of voice-part by long note:
While this operation is not specified on the score,
It might be a own arrangement to ease irritation to the ear.
* ̋̎wɂāAMIDIf[^ɔfĂȂƂB
iꕔ̎w͔fFt̎㉹wAł̃X^bJ[g̎wBj
* Kɂ́Aw҂̎wYȂ悤ɁAelɂỹdvłB
* ɂ鐺Ił̃tF[hAEg̐F
̑͊yɎw肳Ă܂񂪁Aւ̎hɘaƎAWłB
@
@ @
@ @
@ @
@ @
@ @
@ @
@ @
@ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @